Civitas Munita



'Civitas Munita' was a site-specific artistic project executed in Cracow’s district of Podgórze by the Quadratum Nigrum collective. It was carried out within the 'Sól' project which focuses on the prevention of gentrification processes which is visible in Cracow. 'Sól' – by supporting small shop owners – also refers to the traditional guild structure which was once one of the constituents of urban identity.
The Latin term civitas munita means a fortified town and alludes to the history Cracow’s district of Podgórze which, in fact, never had its own defensive walls. The project’s aim was to symbolically consolidate Podgórze through an attempt at reconstructing the walls which existed only in heraldic images known from Podgórze’s first coat of arms. The element that was supposed to bring the district’s independence back was not an architectural barrier, but a visual identification designed especially for this purpose, which refered to traditional emblems. 
Each quarter neighbouring with Rynek Podgórski was marked with colourful flags. Emblems on these flags reflect, on the one hand, abstract forms visible in decorative floors (which constitute firm ground for us and yet stay invisible) of historic houses, on the other hand, to symbols connected with guilds.
Copies of all flags was displayed in the Podgórze town hall in a form of patchwork in which individual fragments were combined into an emblematic chessboard and, at the same time, into a symbolic map of a hypothetical urban organism.


Artists: Mateusz Okoński, Jakub Skoczek, Jakub Woynarowski 
Coordination: Monika Grula
Flags made by: Poczwarka (Irena Kalicka, Marta Sala)

Outopos












Interactive diagram 'Outopos' (a part of the Bunkier Sztuki collection) has been made as a hypertext structure that combines graphics, text and animation. In its structure it represents a concept grid into which the issue of utopia has been entered as a paradoxical ‘non-place’ (outopos). Virtual space seems to be the natural habitat of modern reflection on utopia, in a sense entering the framework of a multidimensional construct with characteristics of a new (better?) world. Constant transformation is one of the features of the diagram – through penetrating the multilayered tissue of the diagram and analysis of numerous references and conceptual relationships, the users themselves can affect the shape of the work, in more than merely its graphic dimension. This diagram, with infinite possibilities for interpreting it, easily draws the viewers in to create their own associations and (utopian) projects.

To see the whole project please visit: bunkier.art.pl/outopos

Project Curator: Karolina Vyšata
Collection Curator: Anna Lebensztejn

Impossibility vs. Self-Censorship





A diagram created for exhibition 'Impossibility vs. Self-Censorship' at Matadero Madrid Intermediae (curated by Anca Mihuleţ and Bori Szalai).

The exhibition-project demonstrates how different examples for events and interventions beyond possibility, examples of artistic self-censorship, as well as some not realized or materialized artworks can be expanded beyond the constraints of the 'absolute art space' with the use of imagination. These do not only outline a picture of the borders of the current art-system, but also locate the different types of inner or outer, personal or general, practical or theoretical, real or imagined obstacles surrounding the artistic practice.

Wundercamera / videobook


A visual analysis of Terry Gilliam's cinematographic work.
For more information visit this site.

Resublimatio





Nigredo



For more information visit this site.