"Vernalin" is a continuation of "Hikikomori" project, focused on the relation between animate and inanimate matter. The project is inspired by Stanisław Lem' s short story "Darkness and Mould" and also by scientific theories about vernalin - a hypothetical plant growth substance that, it has been suggested, is formed in meristematic regions of a plant subjected to cold.
The term "hikikomori" (loosely translated as "separation", "an alienated being") is applied in relation to the civilisational malaise common among Japanese youth. It is similar to depression. The sufferer seeks isolation from the world and does not leave his room. The work is a metaphorical record of the consecutive stages of the dissolution of the human psyche. The narrative unfolds in the claustrophobic space of blocks of flats, which is slowly taken over by the mysterious black substance. The "dark matter" on the one hand causes the destruction of ordinary objects, and on the other keeps our daily reality in one piece.
"Manggha" is a narrative series of 40 prints - a visual essay, which is an adaptation of selected themes in Polish art critic Feliks Jasieński's literary opus magnum.
"Bachelor Machines" is a graphic installation inspired by Marcel Duchamp's "Large Glass" and Michel Carrouges' book "Les Machines Celibataires".
Hydropathy - the water cure; a mode of treating diseases by the copious and frequent use of pure water, both internally and externally.
Post-humanist graphic novel depicts a wild uninhabited environment in the process of deconstruction of human artifacts, leaving it uncertain whether it is in a zone of alienation or if mankind has vanished completely.
